How ‘The Bear’ Compounds Conflict Without Feeling Confusing

Welcome to The Queue — your each day distraction of curated video content material sourced from throughout the online. Immediately, we’re watching a video essay that appears at what makes the culinary drama ‘The Bear’ so fascinating to look at.

Except you reside below a rock, the TV-watcher in your life has in all probability informed you that it’s best to try The Bear. The eight-episode FX present, which at present sports activities an ideal rating on Rotten Tomatoes, follows Carmy (Jeremy Allen White), a celebrated fine-dining chef who takes over his brother’s failing Chicago sandwich store to each course of the demise of his sibling and save the enterprise from whole failure. From Michelin star eating places to a cussed small enterprise, Carmy is being torn aside in any respect sides.

And as Genevive Yam testifies for culinary publication Bon Appétit, the present does an unprecedented job capturing the uniquely anxious setting of tremendous eating tradition. (A lot in order that the sequence proved triggering for some real-life cooks). Certainly, even if you happen to haven’t labored in meals service, the present is palpably tense, with mounting issues that appear to interlock like a cursed Jenga tower that threatens to topple over at any second.

The following video essay digs into the mechanics of why The Bear is so intense and the way it manages to tug off that managed chaos with out making its viewers really feel confused. It’s not simply sensory overload. And the key ingredient could also be crafting battle round characters we genuinely care about.

Watch “Why The Bear Hits So Exhausting”:

Who made this?

This video essay on the enchantment of The Bear is by Virginia-based filmmaker and video editor Thomas Flight. He runs a YouTube channel below the identical title. You possibly can comply with Thomas Flight and take a look at his again catalog of video essays on YouTube right here. You possibly can comply with him on Twitter right here.

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Meg Shields is the common-or-garden farm boy of your goals and a senior contributor at Movie Faculty Rejects. She at present runs three columns at FSR: The Queue, How’d They Do That?, and Horrorscope. She can also be a curator for One Good Shot and a contract author for rent. Meg could be discovered screaming about John Boorman’s ‘Excalibur’ on Twitter right here: @TheWorstNun. (She/Her).